ROSA, Salvator

Italian Baroque Era Painter, 1615-1673 Italian painter, draughtsman, etcher, poet and actor. He was one of the most original artists and extravagant personalities of the 17th century. His most popular and influential works were his landscapes, the wild and mountainous beauty of which contrasted with the pastoral scenes of Claude Lorrain. Yet Rosa also painted macabre subjects, erudite philosophical allegories and grand historical themes; he was, moreover, the most significant satirical poet of the Italian 17th century, and there is a close relationship between his poetry and painting. His earliest biographers, Filippo Baldinucci and Giovanni Battista Passeri, both of whom knew him well, described at length his fiery temperament


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ROSA, Salvator Portrait of a Man d oil


Portrait of a Man d
Painting ID::  8958
Portrait of a Man d
Oil on canvas, 78 x 64,5 cm The Hermitage, St. Petersburg
Oil_on_canvas,_78_x_64,5_cm The_Hermitage,_St._Petersburg
   
   
     

ROSA, Salvator Democritus in Meditation af oil


Democritus in Meditation af
Painting ID::  8959
Democritus in Meditation af
c. 1650 Oil on canvas, 344 x 214 cm Statens Museum for Kunst, Copenhagen
   
   
     

ROSA, Salvator A Friar Tempted by Demons dy oil


A Friar Tempted by Demons dy
Painting ID::  8960
A Friar Tempted by Demons dy
1660-65 Oil on canvas 65 x 83 cm Galleria Nazionale d'Arte Antica, Rome
   
   
     

ROSA, Salvator Human Fragility set oil


Human Fragility set
Painting ID::  8961
Human Fragility set
Oil on canvas, 199 x 134 cm Fitzwilliam Museum, Cambridge
Oil_on_canvas,_199_x_134_cm Fitzwilliam_Museum,_Cambridge
   
   
     

ROSA, Salvator Harbour with Ruins af oil


Harbour with Ruins af
Painting ID::  8962
Harbour with Ruins af
1640-43 Oil on canvas, 87,5 x 111 cm Museum of Fine Arts, Budapest
   
   
     

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     ROSA, Salvator
     Italian Baroque Era Painter, 1615-1673 Italian painter, draughtsman, etcher, poet and actor. He was one of the most original artists and extravagant personalities of the 17th century. His most popular and influential works were his landscapes, the wild and mountainous beauty of which contrasted with the pastoral scenes of Claude Lorrain. Yet Rosa also painted macabre subjects, erudite philosophical allegories and grand historical themes; he was, moreover, the most significant satirical poet of the Italian 17th century, and there is a close relationship between his poetry and painting. His earliest biographers, Filippo Baldinucci and Giovanni Battista Passeri, both of whom knew him well, described at length his fiery temperament

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